My husband and I had a joint art exhibit for the month of October 2019. Along with our artworks we posted explanations as to why each was a favorite. Here is a summary of the works I exhibited.
These three paintings and a title sign were hung on the panels at the entrance to the gallery. When photographing the hung paintings, it was impossible to avoid glare at times, so try to ignore it.
When my mother and sister were alive, we three would frequently play “Upwords,” a game like 3-D Scrabble. Done last year, The Game (above, left) shows the fun we had and the closeness we shared. In addition, I am pleased with the composition, colors, and shapes in this watercolor. Somehow the shapes I used capture the characteristic attitude of each person in those days.
Done recently, Medicine Woman (above, middle) began with a bunch of watercolors thrown onto Arches oil paper (huile) and then scraped with a credit card, which created interesting textures and scored the paper. Then I began painting shapes until there emerged a Native American woman selling pots on the Plaza in Santa Fe, my favorite town. The colors and the ambiguous space almost capture the magic of the place.
In 2007 with Christopher Van Winkle as judge, Bird Girl (above, right) garnered my very first Best of Show ribbon at a Huntington Beach Art League meeting. It was also published in The Palette Magazine, and I felt hope that I could be a “real artist.” It shows my love of parrots and the special relationship I’ve had with pet birds. I also love how the skin color on the girl came out, and it frustrates me greatly that try as I might, I have never managed to replicate that dark reddish color.
I recently painted Aunts at a Picnic 1945 (above, left) for the tenth time. It is based on a photograph of my paternal aunts at a picnic in an Indianapolis park in 1945, while their boyfriends and husbands were at war and after their parents had been killed just a few years before. It’s a beautiful, admiring portrait of their courage and perseverance, and I managed to capture a bit of each aunt’s character.
Sisters 2 (above, middle) was created on my iPad after my sister died. I did several sisters paintings after she died, but most of them are too sad and painful. This one has beautiful colors, yet also depth and symbolism. To me it also captures the dynamic between us, as well as our personalities. It is my top favorite of all my digital works.
Sisters 1 (above, right) was the first of a series of paintings of my sister and me, and it was created before she suddenly and unexpectedly died at age 67 in 2014. It’s a favorite because it brings back happy memories with its many symbols and because it reminds me of how we felt together, so close and carefree, when we were unaware that our time together was to be so limited.
The three artworks on this wall represent some of my favorite digital creations. Making art on my wonderful iPad Pro is great fun, leading to increased creativity.
There Used to Be Birds (above, top left) is one of a series I’ve done on the destruction of our planet by climate change and the resultant extinctions of species after species, especially birds. We are leaving our grandchildren and great-grandchildren a bitter legacy.
Fertilizing the Future (above, right) is a personally meaningful and highly symbolic digital work, combining photographs of many objects with digitally drawn details. The old and broken parts of our lives can still contribute a little something worthwhile, even beautiful, to the world.
Ashes (above, bottom left) is another work about my sister, drawn entirely on the iPad. The urn of ashes floating in the universe represents my sister’s absence from this world. It seems sad, yet I felt compelled to add glitter to the ashes to represent what was beautiful about her.
Playing Anyway (above, top) may not be my best painting, but it really does capture how brave and full of life my mother was. She was an excellent pianist, and she continued to enjoy playing into her old age despite the pain and swollen joints of her arthritic hands. I hope I can bravely carry on as she did, now that I am facing worsening arthritis. In addition, I’d like to be as warm, caring, kind, and compassionate as she was.
I did a series of paintings called Grandma Love, and this (above, bottom) was the first one. It is also the one that best captures the love, warmth, and protection of a grandmother’s hug. This painting reminds me of how my mother adored my daughters and how I now feel the same towards my own grandchildren. I enjoy the wonky shapes and subtle color changes, and I love the baby hand and baby foot.
One of my first attempts to paint with water soluble oil paints, Taking Sammy to the Beach (above, left) brings back happy memories. I tried to do it in the style of one of my favorite painters, Milton Avery, and I enjoy the wonky shapes and subtle color changes. I also learned that oil paints are not for me.
My Hero (above, right) was inspired by watching my husband walk around the house to soothe our first two infant grandchildren. He would hold them tenderly and softly chant “walk, walk, walk” for hours if necessary. Obviously this is a favorite because it raises happy memories, and I love the little baby foot peeking out.
My Vessels (above, left) is my favorite vessel painting, and I especially like the juxtaposition of a fairly accurate graphite drawing of a hand amid the abstract and transparent shapes of bottles and jars and pots.
Story Storage (above, middle) is a recent one of many paintings I have done over the years of vessel shapes. Vessels can hold our memories, our secrets, our stories, even our hopes. Also, my sister was a potter, and these shapes remind me of her. I enjoy the textures and sense of life, activity, and motion in this piece.
Purple Mountain Majesty (above, right, bottom) is another one of my recent experiments with making nonobjective paintings and with using ink with watercolor. I’m not sure how successful this painting is, but I really like all the interesting textures I managed to get, especially the blue “mountain.” And I think it looks cool in the frame.
Seaside (above, right, top) is one of my recent experiments with making nonobjective paintings, a much more challenging goal than I had expected. It also shows my experiments with using ink with watercolor. I’ve thrown away a lot of these paintings, but I like this one very much. I just feel happy when I look at it.
To see a video walkthrough of the entire show, click here
To see Dan's part of the show, click
here
These two photographs were also in the show, favorites because they show my youngest grandchildren and because they garnered my first two First Place ribbons in photography:
